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  <title>D. Des Chene</title>
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    <title>D. Des Chene</title>
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  <pubDate>Sat, 08 Nov 2008 04:35:52 GMT</pubDate>
  <title>Otto’s revenge</title>
  <link>http://goclenius.livejournal.com/33451.html</link>
  <description>&lt;div style=&quot;float: right;margin-left: .25em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200807/somerville-octopusarm.jpg&quot; style=&quot;width: 192px; height: 321px; border: none;&quot; alt=&quot;Octopus Arm&quot; title=&quot;Octopus Arm&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center; width: 180px;&quot;&gt;&lt;a href=&quot;&quot;&gt;Source&lt;/a&gt;: Mary S&lt;span class=&quot;smc&quot;&gt;omerville&lt;/span&gt;, &lt;i&gt;On molecular and microscopic science&lt;/i&gt; (J. Murray, 1869) 247&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Don&amp;#x2019;t mess with the Octopus! This eight-armed cephalopod, living in an aquarium at &lt;a href=&quot;http://www.pointoo.de/poi/Coburg/Sea-Star-Aquarium-196489.html&quot;&gt;Sea-Star&lt;/a&gt; Aquarium in Coburg, Germany, didn&amp;#x2019;t like the bright light overhead in his living quarters. So he put it out by squirting it with water—several times. Aquarium workers kept a watch at night to find out what was going on. It seems that in addition to blowing out his aquarium light Otto likes to juggle his hermit-crab aquarium-mates; he also amuses himself by redecorating (&amp;#x201c;&lt;a href=&quot;http://www.telegraph.co.uk/news/newstopics/howaboutthat/3328480/Otto-the-octopus-wrecks-havoc.html&quot;&gt;Otto the octopus wreaks havoc&lt;/a&gt;&amp;#x201d;, &lt;i&gt;Telegraph&lt;/i&gt; (UK) 3 Nov 2008).
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;&lt;a href=&quot;http://www.dnr.sc.gov/marine/sertc/Featured%20Species%20O%20vulgaris.pdf&quot;&gt;Octopuses&lt;/a&gt; are &lt;a href=&quot;http://www.thecephalopodpage.org/MarineInvertebrateZoology/Octopusvulgaris.html&quot;&gt;masters of disguise&lt;/a&gt;; they are among the smartest of invertebrates. 
&lt;ul style=&quot;margin-top: .5em; margin-bottom: 0em;&quot;&gt;&lt;li class=&quot;journal&quot;&gt;They are capable of “observational learning”, that is, of learning by observing the behavior of other octopuses.
&lt;div class=&quot;listnote&quot;&gt;Graziano F&lt;span class=&quot;smc&quot;&gt;iorito&lt;/span&gt; and Pietro S&lt;span class=&quot;smc&quot;&gt;cotto&lt;/span&gt;, &amp;#x201c;&lt;a href=&quot;http://www.sciencemag.org/cgi/content/abstract/256/5056/545&quot;&gt;Observational learning in &lt;i&gt;Octopus vulgaris&lt;/i&gt;&lt;/a&gt;&amp;#x201d;, &lt;i&gt;Science&lt;/i&gt; 256, no. 5056 (Apr 1992) 545–547.&lt;/div&gt;&lt;/li&gt;
&lt;li class=&quot;journal&quot;&gt;They can learn to open jars containing prey.
&lt;div class=&quot;listnote&quot;&gt;Graziano F&lt;span class=&quot;smc&quot;&gt;iorito&lt;/span&gt;, G. B. B&lt;span class=&quot;smc&quot;&gt;iederman&lt;/span&gt;, Valerie A. D&lt;span class=&quot;smc&quot;&gt;avey&lt;/span&gt; and Francesca G&lt;span class=&quot;smc&quot;&gt;herardi&lt;/span&gt;, &amp;#x201c;&lt;a href=&quot;http://www.springerlink.com/content/7kx2bw37ydc2f8xh/&quot;&gt;The role of stimulus preexposure in problem solving&lt;/a&gt; by &lt;i&gt;Octopus vulgaris&lt;/i&gt;&amp;#x201d;, &lt;i&gt;Animal Cognition&lt;/i&gt; 1.2 (Oct 1998) 107–112; doi 10.1007/s100710050015.&lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;/div&gt;</description>
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  <category>invertebrates</category>
  <category>science</category>
  <category>animals</category>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
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  <pubDate>Fri, 03 Oct 2008 03:04:23 GMT</pubDate>
  <title>718 Frequencies</title>
  <link>http://goclenius.livejournal.com/33071.html</link>
  <description>&lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200807/BexelBFSopticalsupportvehicle2.jpg&quot; alt=&quot;BexelBFSopticalsupportvehicle2.jpg&quot; style=&quot;border:0px; width:192; height:128;&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;&lt;a href=&quot;http://www.bexel.com/news/New_Bexel_BFS_Optical_Support_Vehicle_II_Unveiled_at_DNC_RNC&quot;&gt;Bexel Broadcast Services&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;How a political convention looks to its radio-frequency coordinator (see the lexicon below for a guide to the acronyms):
&lt;/div&gt;
&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
In total, 718 frequencies were used or reserved for use during the convention, said Jim Schoedler, POLCOMM 2008 DNC RF coordinator. They broke down as follows:
&lt;/div&gt;

&lt;ul&gt;
&lt;li style=&quot;list-style-type: none; margin-left: 1em; text-indent: -1em;&quot;&gt;207 wireless mic frequencies&lt;/li&gt;
&lt;li style=&quot;list-style-type: none; margin-left: 1em; text-indent: -1em;&quot;&gt;144 frequencies used for two-way radio, including repeaters&lt;/li&gt;
&lt;li style=&quot;list-style-type: none; margin-left: 1em; text-indent: -1em;&quot;&gt;111 frequencies for RF intercom&lt;/li&gt;
&lt;li style=&quot;list-style-type: none; margin-left: 1em; text-indent: -1em;&quot;&gt;96 frequencies for IFB for talent&lt;/li&gt;
&lt;li style=&quot;list-style-type: none; margin-left: 1em; text-indent: -1em;&quot;&gt;43 microwave channels&lt;/li&gt;
&lt;li style=&quot;list-style-type: none; margin-left: 1em; text-indent: -1em;&quot;&gt;117 held in reserve or identified for other purposes&lt;/li&gt;
&lt;/ul&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
[…] Schoedler knew there wouldn’t be much frequency shuffling required as broadcasters moved from the Pepsi Center to INVESCO Field.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
“When I compare[d] the two, we found they are not very different. Both facilities act as a shield to a certain amount of RF and are fairly similar,” he said. That knowledge gave Schoedler confidence that a frequency assigned for use at the Pepsi Center should be acceptable for use at INVESCO, he said.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
However, there was one notable exception: use of 7GHz COFDM camera transmitters, he said. “There are STL and TSL signals basically shooting over the stadium,” he said. “Testing by Denver stations revealed that the use of the 7GHz channel for COFDM microwave camera transmission from inside the stadium would interfere with the STL and TSL transmissions passing overhead. To resolve the issue, no 7GHz COFDM camera transmission was allowed at INVESCO Field,” he said.&lt;/div&gt;

&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Making sure that devices don&amp;#x2019;t interfere with each other required “purity-testing”. Not &lt;a href=&quot;http://en.wikipedia.org/wiki/Purity_test&quot;&gt;this kind&lt;/a&gt;—&lt;a href=&quot;http://www.thezachs.com/dnc/Fleet_outside.htm&quot;&gt;&lt;i&gt;this&lt;/i&gt; kind&lt;/a&gt;. (The page I quote here describes the setup at the 2004 Democratic Convention. I assume that the 2008 Convention required similar testing.)&lt;/div&gt;

&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
For four days, the Fleet Center presented the most hostile RF interference environment on the planet.  Most local broadcasters had other obligations so the DNC enlisted the help of experienced local ham radio operators, many of whom were electrical engineers. Coordination was handled by Louis Libin of Broad-Comm.
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Peter Simpson, KA1AXY (left) worked for the DNC RF frequency coordination and interference enforcement team.  Three days prior to the start of the DNC, each piece of RF-generating equipment needed to pass RF-purity testing.  Peter insured that each piece of RF equipment entering the area possessed an &quot;RF tested-OK&quot; sticker.   No sticker, no entry.
&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Louis Libin is chairman of the Political Conventions Communications Committee, which handles frequency coordination at both conventions. He describes the challenge facing engineers at these events:&lt;/div&gt;

&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
This year is the worst spectrum year ever for all different types of use. For instance, in St. Paul, we are able to use the lower UHF channels and divide them up for walkie-talkie use, IFBs and things like that. In Denver, we are stuck for spectrum because none of the channels in the lower UHF band are available. The FCC has granted us an STA to use business band, and as far as I know, this is the first time that we’ve ever used business band for broadcast-related uses.
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
We have made very strict, but necessary, guidelines for spectrum use that the networks and stations have all adopted. We also have other types of guidelines that have never been implemented before, such as the number of feet inside or outside that you need to separate the wireless mic from the receiver before you can use the mic. We’ve never had that before. Somebody is going to be only separated by10ft from his receiver; it’s great that they have a wireless mic, but the fact is that they are using that whole channel, and it’s actually putting a signal out that’s going far and has the potential to cause interference.
&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Between the mathematical and the natural, there&amp;#x2019;s a &amp;#x201c;technical sublime&amp;#x201d;, an awe at the scale of operations like these—a scale that defeats the imagination, even though the object of wonder was made by us.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Already in 1832, the spectacle of the railroad, conquering the vast American landscape, gave rise to feelings of a &amp;#x201c;technolgical sublime&amp;#x201d; (Leo M&lt;span class=&quot;smc&quot;&gt;arx&lt;/span&gt;, &lt;i&gt;The machine in the garden&lt;/i&gt; (Oxford, 2000; orig. publ. 1964), 195, quoting an article in &lt;i&gt;Scientific American&lt;/i&gt;, 1832):&lt;/div&gt;

&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Alpine scenery and an embattled ocean deepen contemplation, and give their own sublimity to the conceptions of beholders. The same will be true of our system of Railroads. Its vastness and magnificence will prove communicable, and add to the standard of the intellect of our country.&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
That prediction has, sadly, not been confirmed. Not by the railroads nor by any of our more ethereal systems of communication.&lt;/div&gt;


&lt;div style=&quot;border-bottom: solid 1px #aaaaaa; margin-bottom:4pt;&quot;&gt;&lt;/div&gt;
&lt;div style=&quot;line-height: 1.125em; font-size:.92em;&quot;&gt;
&lt;strong&gt;Lexicon&lt;/strong&gt;: RF = radio frequency; IFB = &lt;a href=&quot;http://en.wikipedia.org/wiki/Interruptible_foldback&quot;&gt;interruptible feedback&lt;/a&gt; (the transmission of instructions, etc. to on-air talent by way of wireless earphones); CODFM = &lt;a href=&quot;http://en.wikipedia.org/wiki/COFDM&quot;&gt;coded orthogonal frequency-division multiplexing&lt;/a&gt; (a way of improving the efficiency of RF communication by dividing a wide band of frequencies into many narrow bands); STA = special transmission authorization (granted by the &lt;a href=&quot;http://www.fcc.gov/pshs/services/sta.html&quot;&gt;FCC&lt;/a&gt;); STL = studio-transmitter link; TSL = transmitter-studio link; UHF = ultrahigh-frequency (the soon-to-be-obsolete TV frequency band).
&lt;/div&gt;

&lt;div style=&quot;line-height: 1.125em;&quot;&gt;
&lt;div style=&quot;margin-top: .5em; margin-bottom:4pt;&quot;&gt;Sources: 

&lt;div style=&quot;margin-left: 1em; padding-bottom: 4pt; line-height:13pt; text-indent: -1em; font-size: .92em;&quot;&gt;
&lt;div&gt;“&lt;a href=&quot;http://broadcastengineering.com/news/two-tiered-stratedy-interference-minimum-denver-0910/&quot;&gt;Two-tiered strategy holds RF interference to a minimum in Denver&lt;/a&gt;”, &lt;i&gt;Broadcast Engineering&lt;/i&gt;, 10 Sep 2008. &lt;/div&gt;
&lt;div&gt;Ipsos, &amp;#x201c;&lt;a href=&quot;http://www.dailykos.com/storyonly/2008/10/2/151314/450/388/617950&quot;&gt;How they’d put a bug in Palin’s ear tonight&lt;/a&gt;&amp;#x201d;, &lt;i&gt;Daily Kos&lt;/i&gt; 2 Oct 2008. Very informative; refers to the preceding.&lt;/div&gt;
&lt;div&gt;Stephen Lawson, IDG News Service, &amp;#x201c;&lt;a href=&quot;http://www.pcworld.com/businesscenter/article/150178/political_conventions_will_be_abuzz_with_wireless_data.html&quot;&gt;Political Conventions Will Be Abuzz With Wireless Data&lt;/a&gt;&amp;#x201d;, &lt;i&gt;PCWorld&lt;/i&gt;, 22 Aug 2008; available also at &lt;i&gt;&lt;a href=&quot;http://www.itbusiness.ca/it/client/en/home/News.asp?id=49659&amp;amp;PageMem=1&quot;&gt;itbusiness.ca&lt;/a&gt;&lt;/i&gt;.
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;</description>
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  <category>technology</category>
  <category>sublime</category>
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  <pubDate>Wed, 27 Aug 2008 06:16:42 GMT</pubDate>
  <title>The power of infinity</title>
  <link>http://goclenius.livejournal.com/32936.html</link>
  <description>&lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200807/eternal_return.jpg&quot; alt=&quot;eternal_return.jpg&quot; border=&quot;0&quot; width=&quot;192&quot; height=&quot;144&quot; title=&quot;Jennifer &amp;amp; Kevin McCoy, Eternal Return&quot; /&gt;
&lt;div style=&quot;padding-top: .25em; text-align: center; line-height: 1.125em; font-size: .87em; width: 192px;&quot;&gt;Source: &lt;a href=&quot;http://www.edith-russ-haus.de/&quot;&gt;Jennifer &amp;amp; Kevin McCoy, &lt;i&gt;&lt;a href=&quot;http://www.edith-russ-haus.de/presse/mccoy/index.html&quot;&gt;Eternal Return&lt;/a&gt;&lt;/i&gt;. Edith-Ruß-Hauses für Medienkunst&lt;/a&gt;, Oldenburg (exhibition 20 May–16 July 2006).&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Imagine a universe like ours, but with an important difference. In this universe Fred Hoyle was right. No Big Bang, no Big Crunch, just an everlasting Steady State. Everything that can happen, does, infinitely many times.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Baseball is like that, if you ignore the fact that it hasn&amp;#x2019;t been around forever, and probably won&amp;#x2019;t be around forever. But in a sport where almost 2500 games are played each season (it used to be fewer, of course) and which has had over a hundred seasons, many unlikely events have occurred.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;From the &amp;#x201c;&lt;a href=&quot;http://www.baseball-reference.com/sotd/archives/737&quot;&gt;Stat of the Day&lt;/a&gt;&amp;#x201d; blog at Baseball Reference comes an example. Only &lt;a href=&quot;http://www.baseball-reference.com/pi/shareit/RdKG&quot;&gt;once&lt;/a&gt; since 1956—and perhaps since the beginning of baseball time—has a pitcher picked off three players in an inning. Tippy Martinez, pitching the tenth inning in relief for the Baltimore Orioles against the Toronto Blue Jays, picked off Barry Bonnell, Dave Collins, and Gene Upshaw. The game is beautifully described by Tom Goodman, who follows up the climactic play with this:&lt;/div&gt;


&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;He picked off the side, I said to myself over and over. He picked off the side. I slumped back into the chair. I wondered whether anyone else was listening to this game. I looked at my watch. It was nearly eleven o’clock. I thought maybe I should call someone to let them in on this game, but I didn’t dare tear myself away from the radio.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The Orioles won the game later on a home run by Len Sakata, an infielder who&amp;#x2019;d been sent in to catch during the crucial inning.&lt;/div&gt;

&lt;div style=&quot;font-size: .92em; text-indent: 1em; margin-bottom:4pt;&quot;&gt;&lt;strong&gt;Sources&lt;/strong&gt;: Tom Goodman, 
&lt;a href=&quot;http://swingandmiss.blogspot.com/2004/07/greatest-game-never-seen.html&quot;&gt;The Greatest Game Never Seen&lt;/a&gt;, &lt;i&gt;Swing and a miss&lt;/i&gt;, 14 Jul 2004. See also Childs Walker, “&lt;a href=&quot;http://www.baltimoresun.com/sports/baseball/bal-sp.83os24aug24,0,1272843.story?page=2&quot;&gt;Unforgettable win by &apos;83 O’s remembered&lt;/a&gt;”, &lt;i&gt;Baltimore Sun&lt;/i&gt;, 24 Aug 2008.
&lt;/div&gt;</description>
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  <category>orioles</category>
  <category>baseball</category>
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  <pubDate>Sun, 27 Jul 2008 21:21:45 GMT</pubDate>
  <title>Patron saints of the library</title>
  <link>http://goclenius.livejournal.com/31980.html</link>
  <description>&lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200807/isidorushispalensis.jpg&quot; alt=&quot;isidorushispalensis.jpg&quot; border=&quot;0&quot; width=&quot;192&quot; height=&quot;226&quot; title=&quot;Isidorus Hispalensis&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;St. Isidore. Source:&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Image:Isidor_von_Sevilla.jpeg&quot;&gt;Wikipedia Commons&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;What with budget-cutting, FBI snoops, and book-stealing, libraries need all the help they can get. In the US, the patron saint of libraries is St. &lt;a href=&quot;http://www.newadvent.org/cathen/08341a.htm&quot;&gt;Jerome&lt;/a&gt;, translator of the Old Testament from Hebrew into Latin; in Europe St. Lawrence (probably the &lt;a href=&quot;http://en.wikipedia.org/wiki/Lawrence_of_Rome&quot;&gt;first&lt;/a&gt; of that name) watches over them. The patron saint of that branch of the Library of Babel known as the Internet is Saint &lt;a href=&quot;http://www.newadvent.org/cathen/08186a.htm&quot;&gt;Isidore&lt;/a&gt; (&lt;a href=&quot;http://en.wikipedia.org/wiki/Isidorus_Hispalensis&quot;&gt;&lt;img style=&quot;margin-left: .25em; margin-right: .25em; vertical-align: -.3em&quot; src=&quot;http://tlonuqbar.typepad.com/phfn/images/lnglab/lnglabeng.png&quot; border=&quot;0&quot; height=&quot;11&quot; width=&quot;23&quot; alt=&quot;lnglabeng.png&quot; title=&quot;English&quot; /&gt;&lt;/a&gt;,&lt;a href=&quot;http://fr.wikipedia.org/wiki/Isidore_de_S%C3%A9ville&quot;&gt;&lt;img style=&quot;margin-left: .25em; margin-right: .25em; vertical-align: -.3em&quot; src=&quot;http://tlonuqbar.typepad.com/phfn/images/lnglab/lnglabfr.png&quot; border=&quot;0&quot; height=&quot;11&quot; width=&quot;18&quot; alt=&quot;lnglabfr.png&quot; title=&quot;French&quot; /&gt;&lt;/a&gt;), best known for his &lt;i&gt;&lt;a href=&quot;http://www.thelatinlibrary.com/isidore.html&quot;&gt;Etymologiæ&lt;/a&gt;&lt;/i&gt;, an encyclopedia of ancient learning that became the most-used textbook of the early Middle Ages. The Hindu protector of libraries (and of learning generally) is the elephant-god &lt;a href=&quot;http://en.wikipedia.org/wiki/Ganesha&quot;&gt;Ganesh&lt;/a&gt;.
&lt;/div&gt;
&lt;ul&gt;
&lt;li style=&quot;padding-left: 0em; text-indent: -1em; list-style-type: none;&quot;&gt;“&lt;a href=&quot;http://www.bibliobsession.net/2008/07/25/qui-sont-les-saints-patrons-des-bibliothecaires/&quot;&gt;Qui sont les Saints-patrons des bibliothécaires?&lt;/a&gt;”, &lt;i&gt;Bibliobsession&lt;/i&gt; 25 July 2008.
&lt;/li&gt;
&lt;li style=&quot;padding-left: 0em; text-indent: -1em; list-style-type: none;&quot;&gt;“&lt;a href=&quot;http://www.warriorlibrarian.com/IMHO/lawrence.html&quot;&gt;Who&amp;#x2019;s watching over our libraries&lt;/a&gt;”, &lt;i&gt;Warrior Librarian Weekly&lt;/i&gt; s.d., citing unpublished work by Robert Lee Hadden.
&lt;/li&gt;
&lt;li style=&quot;padding-left: 0em; text-indent: -1em; list-style-type: none;&quot;&gt;“&lt;a href=&quot;http://chronicle.com/news/article/1351/patron-saint-of-internet-shines-in-new-data-center-at-boston-college&quot;&gt;Patron Saint of Internet Shines in New Data Center at Boston College&lt;/a&gt;”, &lt;i&gt;Chronicle of higher education&lt;/i&gt; 2 Dec 2006.
&lt;/li&gt;
&lt;li style=&quot;padding-left: 0em; text-indent: -1em; list-style-type: none;&quot;&gt;Chris R&lt;span class=&quot;smc&quot;&gt;eidy&lt;/span&gt;, “&lt;a href=&quot;http://www.boston.com/business/ticker/2006/12/internet_saint.html?p1=MEWell_Pos4&quot;&gt;Internet saint overlooks BC data center&lt;/a&gt;”, &lt;i&gt;Boston.com&lt;/i&gt; 1 Dec 2006.
&lt;/li&gt;
&lt;li style=&quot;padding-left: 0em; text-indent: -1em; list-style-type: none;&quot;&gt;Nate A&lt;span class=&quot;smc&quot;&gt;nderson&lt;/span&gt;, “&lt;a href=&quot;http://arstechnica.com/news.ars/post/20061203-8342.html&quot;&gt;Patron saint of the Internet smiles on Boston College data center&lt;/a&gt;”, &lt;i&gt;Ars technica&lt;/i&gt; 3 Dec 2006.
&lt;/li&gt;
&lt;/ul&gt;
</description>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/31510.html</guid>
  <pubDate>Tue, 17 Jun 2008 06:45:51 GMT</pubDate>
  <title>Visualizing large graphs</title>
  <link>http://goclenius.livejournal.com/31510.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Start with a set of nodes (picture them as dots). Suppose there are &lt;i&gt;n&lt;/i&gt; nodes in all (say 3), numbered from 1 to &lt;i&gt;n&lt;/i&gt;. Construct an &lt;i&gt;n&lt;/i&gt; by &lt;i&gt;n&lt;/i&gt; table (if there are 3 nodes, it will look like a blank tic-tac-toe board). Put a 1 in the entry in row &lt;i&gt;i&lt;/i&gt;, column &lt;i&gt;j&lt;/i&gt; to indicate that there is an edge &lt;i&gt;from&lt;/i&gt; node &lt;i&gt;i&lt;/i&gt; &lt;i&gt;to&lt;/i&gt; node &lt;i&gt;j&lt;/i&gt;. (Edges can be pictured as arrows connecting the dots.) 
&lt;/div&gt;
&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: .5em;padding-bottom: 1em;border: none;text-align: center&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/00-ws/adjacency.png&quot; alt=&quot;adjacency.png&quot; border=&quot;0&quot; width=&quot;254&quot; height=&quot;151&quot; /&gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The result is called a &lt;i&gt;directed graph&lt;/i&gt;, &amp;#x201c;directed&amp;#x201d; because each edge has a starting and an ending node. (In the case of 3 nodes, the table will look like a finished game of tic-tac-toe, with 1s for Xs and 0s for Os.) The table is called the &amp;#x201c;adjacency matrix&amp;#x201d; of the graph. 
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;A &lt;i&gt;sparse&lt;/i&gt; matrix is a matrix most of whose entries are zero. A sparse adjacency matrix corresponds to a graph with rather few edges. Airlines don&amp;#x2019;t schedule direct flights between every pair of cities they serve; instead relatively few cities are joined directly, so that in most cases to get from one city to another you&amp;#x2019;ll have to go through a &amp;#x201c;hub&amp;#x201d;. The adjacency matrix that corresponds to the airline graph will be sparse.&lt;/div&gt;

&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: .5em;padding-bottom: 1.5em;border: none;text-align: center&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/00-ws/alaskaair.jpg&quot; alt=&quot;alaskaair.jpg&quot; border=&quot;0&quot; width=&quot;256&quot; height=&quot;210&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt;Source: &lt;a href=&quot;http://www.airlineroutemaps.com/USA/Alaska_Airlines.shtml&quot;&gt;Airline Route Maps&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;


&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;All this by way of introducing some striking images. A research group at AT&amp;T (more research! less spying!) has put together a &lt;a href=&quot;http://www.research.att.com/~yifanhu/GALLERY/GRAPHS/&quot;&gt;gallery of large graphs&lt;/a&gt;. The sparse matrices represented in the gallery come from the &lt;a href=&quot;http://www.cise.ufl.edu/research/sparse/matrices/&quot;&gt;Sparse Matrix Collection&lt;/a&gt; at the University of Florida. The collection contains 1890 matrices from a wide range of projects: fluid dynamics, quantum chemistry, network analysis… The example below is described only as arising in connection with an &lt;a href=&quot;http://www.cise.ufl.edu/research/sparse/matrices/Andrianov/fxm3_6.html&quot;&gt;optimization problem&lt;/a&gt;.
&lt;/div&gt;

&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: 1em;padding-bottom: .5em;border: none;text-align: center&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/00-ws/Andrianovfxm3_6.jpg&quot; alt=&quot;Andrianov@fxm3_6.jpg&quot; border=&quot;0&quot; width=&quot;256&quot; height=&quot;256&quot; /&gt;
&lt;/div&gt;
&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: 1em;padding-bottom: 1.5em;border: none;text-align: center&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/00-ws/Andrianovfxm3_6detail.jpg&quot; alt=&quot;Andrianov@fxm3_6detail.jpg&quot; border=&quot;0&quot; width=&quot;256&quot; height=&quot;256&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;margin-top: 1em; text-align: center&quot;&gt;Yifan Hu, &lt;a href=&quot;http://www.research.att.com/~yifanhu/GALLERY/GRAPHS/&quot;&gt;Gallery of large graphs&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;line-height: 1.125em; font-size:.92em;&quot;&gt;
&lt;div style=&quot;margin-bottom:4pt;&quot;&gt;From &lt;a href=&quot;http://infosthetics.com/archives/2008/06/visualizing_large_graphs.html&quot;&gt;Infosthetics&lt;/a&gt; via &lt;a href=&quot;http://11011110.livejournal.com/140830.html&quot;&gt;0xCD&lt;/a&gt;. If you like matrices, visit the &lt;a href=&quot;http://math.nist.gov/MatrixMarket/&quot;&gt;Matrix Market&lt;/a&gt; at NIST.&lt;/div&gt;
&lt;/div&gt;</description>
  <comments>http://goclenius.livejournal.com/31510.html</comments>
  <category>graphs</category>
  <category>visualization</category>
  <category>mathematics</category>
  <category>combinatorics</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://goclenius.livejournal.com/31192.html</guid>
  <pubDate>Thu, 29 May 2008 05:00:13 GMT</pubDate>
  <title>Words for music</title>
  <link>http://goclenius.livejournal.com/31192.html</link>
  <description>&lt;div style=&quot;margin-bottom: 4pt; &quot;&gt;1,219,096 lyrics from 71,565 performers (as of 28 May 2008). For example: 
&lt;div style=&quot;margin-left: 1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .75em; padding-left: 1em; padding-right: 1em;  background-color:#eeeee5; font-size: .92em;&quot;&gt;

D’un bout à l’autre de la semaine&lt;br /&gt;
Sur les boulevards dans les faubourgs&lt;br /&gt;
On les voit traîner par centaines&lt;br /&gt;
Leurs guêtres sales et leurs amours&lt;br /&gt;
Dans des chemises de dix jours&lt;br /&gt;
Sous la lumière des réverbères&lt;br /&gt;
Prenant des airs de Pompadour&lt;br /&gt;
Ce sont nos belles ferronnières&lt;br /&gt;
Ce sont nos poupées, nos guignols, nos pantins&lt;br /&gt;
Écoutez dans la nuit&lt;br /&gt;
Elles chantent ce refrain: &lt;br /&gt;
&lt;br /&gt;
C’est nous les mômes, les mômes de la cloche&lt;br /&gt;
Clochards qui s’en vont sans un rond en poche&lt;br /&gt;
C’est nous les paumées, les purées de paumées&lt;br /&gt;
Qui sommes aimées un soir n’importe où&lt;br /&gt;
&lt;div style=&quot;float: right; margin-left: .5em; margin-right: .5em; padding-top: 1ex; padding-bottom: .5ex; padding-left: .5em; border: none; &quot;&gt;

&lt;div style=&quot;border: 1px solid #eee; padding: 5px; width: 120px; background-color: white; font-style: normal; font-variant: normal; font-weight: normal; font-size: .92em; line-height: normal; font-size-adjust: none; font-stretch: normal; text-align: center; &quot;&gt;

&lt;div style=&quot;margin-bottom: .5em; color: #ccb800; font-style: normal; font-variant: normal; font-weight: bold; font-size: 1.25em; line-height: normal; font-size-adjust: none; font-stretch: normal; &quot;&gt;Letras de Música&lt;/div&gt;

&lt;form method=&quot;get&quot; action=&quot;http://www.letras.mus.br/&quot; target=&quot;_blank&quot;&gt;
&lt;input name=&quot;q&quot; style=&quot;margin-bottom: .5em; border: 1px solid silver; width: 8em; padding: 2px; height: auto; line-height: auto; float: none; &quot; type=&quot;text&quot; value=&quot;Piaf&quot;&gt;

&lt;select name=&quot;tipo&quot; style=&quot;border: 1px solid silver; width: 8em; padding: 1px; height: auto; line-height: auto; margin: 3px 0; float: none; &quot;&gt;&lt;option value=&quot;1&quot;&gt;Música&lt;/option&gt;&lt;option value=&quot;2&quot;&gt;Artista&lt;/option&gt;&lt;option value=&quot;3&quot;&gt;Trecho&lt;/option&gt;&lt;/select&gt;

&lt;input value=&quot;buscar&quot; style=&quot;background: #ccb800; border: 1px outset #cc0; width: auto; height: auto; font-style: normal; font-variant: normal; font-weight: normal; font-size: 8pt; line-height: normal; font-size-adjust: none; font-stretch: normal; float: none; margin: 3px auto;&quot; type=&quot;submit&quot;&gt;&lt;/form&gt;
&lt;div style=&quot;margin-top: -.5em;&quot;&gt;by &lt;a href=&quot;http://www.letras.mus.br&quot;&gt;letras.mus.br&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;

&lt;/div&gt;
Nous avons pourtant&lt;br /&gt;
Coeur pas exigeant&lt;br /&gt;
Mais personne n’en veut&lt;br /&gt;
Eh ben tant pis pour eux&lt;br /&gt;
Qu’est que ça fout&lt;br /&gt;
On s’en fout!&lt;br /&gt;
Nul ne s’y accroche&lt;br /&gt;
Il n’y a pas d’amour&lt;br /&gt;
Les mômes de la cloche!&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;margin-bottom:4pt;&quot;&gt;At a &lt;a href=&quot;http://cifraclub.terra.com.br/&quot;&gt;sister site&lt;/a&gt; you can download charts and guitar tablatures of many of the same tunes. The charts include popups showing chord diagrams for each chord—very slick. 
&lt;/div&gt;</description>
  <category>music</category>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/30851.html</guid>
  <pubDate>Tue, 16 Oct 2007 17:44:21 GMT</pubDate>
  <title>Paper Made</title>
  <link>http://goclenius.livejournal.com/30851.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Technorati sometimes speak slightingly of paper as &amp;#x201c;dead trees&amp;#x201d;. That is an injustice. Paper was a great advance in the material culture of writing&amp;mdash;and so too of thinking. How many brains would be incapacitated if they did not have pencil and paper to aid them? Computers have changed our habits only a little.
&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .5em; padding: .5em; background-color: #eeeee5; line-height: 1.25em; text-indent: 1em; font-size:.92em;&quot;&gt;
&lt;div style=&quot;margin-top: .5em; margin-bottom:.5em; margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: #224460; font-weight: 600;&quot;&gt;Note&lt;/span&gt;. Much of what follows is paraphrased from the page at &lt;a href=&quot;http://www.memoires-vivantes.org/&quot;&gt;M&amp;eacute;moires vivantes&lt;/a&gt; referred to below; this in turn is extracted from Michel Esteffe &amp;amp; Paul Delage, &lt;i&gt;Saint-Cybard d&amp;rsquo;Antan&lt;/i&gt;.&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
By way of Isabelle Rambaud&amp;#x2019;s &lt;a href=&quot;http://isabelle-rambaud.blogspot.com/2007/10/angoulme-sur-nil.html&quot;&gt;weblog&lt;/a&gt;, I paid a virtual visit to the &lt;a href=&quot;http://www.angouleme.fr/musee/spip.php?rubrique2&quot;&gt;Mus&amp;eacute;e du Papier&lt;/a&gt; in Angoul&amp;ecirc;me (Isabelle Rambaud is an archivist and conservator now working in the département of Seine-et-Marne). The museum is located in the factory of the most famous manufacturers in the region, Joseph Bardou,  best known as the maker of Nil brand cigarette papers. (An earlier trademark &amp;#x2018;JoB&amp;#x2019;, from the initials &amp;#x2018;JB&amp;#x2019;, will have been familiar to some older readers of this age.) The factory at Saint-Cybard manufactured not only cigarette papers but also &amp;#x201c;muslin&amp;#x201d; paper, &lt;a href=&quot;http://www.bibliopolis.net/glossaire/glo_aaz.htm&quot;&gt;&amp;#x201c;serpent&amp;#x201d; paper&lt;/a&gt; for envelopes, and so on.&lt;/div&gt;
&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: 1em;border: none;text-align: center;&quot;&gt;&lt;img src=&quot;http://pics.livejournal.com/goclenius/pic/00003bc1/s320x240&quot; alt=&quot;Je ne fume que le Nil&quot; height=&quot;229&quot; width=&quot;320&quot; border=&quot;0&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt; Source: &lt;a href=&quot;http://www.memoires-vivantes.org/saint-cybard/bardou.html&quot;&gt;M&amp;eacute;moires vivantes&lt;/a&gt;; this rendition&lt;br /&gt;probably by &lt;a href=&quot;http://www.cappiello.fr/&quot;&gt;L&amp;eacute;onetto Cappiello&lt;/a&gt; (1875-1942).&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Like many of its counterparts in the US and Great Britain, Joseph Bardou regarded its employees, two-thirds of whom were women, as a family, and provided medical services and child-care facilities for them. At its peak the factory employed 200 people. It was eventually sold by the heirs of Bardou in 1968, and ceased operations in 1970.
&lt;/div&gt;
&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: 1em;border: none;text-align: center;&quot;&gt;&lt;img src=&quot;http://pics.livejournal.com/goclenius/pic/00004z1t/s320x240&quot; alt=&quot;Machine à enchevêtrer&quot; height=&quot;240&quot; width=&quot;193&quot; border=&quot;0&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt;Machine &amp;agrave; enchev&amp;ecirc;trer. Source: &lt;a href=&quot;http://www.memoires-vivantes.org/saint-cybard/bardou.html&quot;&gt;M&amp;eacute;moires vivantes&lt;/a&gt;.&lt;/div&gt;
&lt;/div&gt;


</description>
  <comments>http://goclenius.livejournal.com/30851.html</comments>
  <category>industry</category>
  <category>france</category>
  <category>paper</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://goclenius.livejournal.com/30559.html</guid>
  <pubDate>Sat, 21 Jul 2007 07:04:07 GMT</pubDate>
  <title>Boredom quantified</title>
  <link>http://goclenius.livejournal.com/30559.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;How are we all feeling today? Find out by consulting &lt;a href=&quot;http://ilps.science.uva.nl/MoodViews/&quot;&gt;Moodviews&lt;/a&gt;. The graph below shows how  much boredom was reported in Livejournal posts recently. Via &lt;a href=&quot;http://www.readwriteweb.com/archives/feel_good_top_10_mood_apps_and_visualizers.php&quot;&gt;ReadWriteWeb&lt;/a&gt;.&lt;/div&gt;
&lt;div style=&quot;float: none;margin-bottom: 1em;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;border: none;text-align: center;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200707/boredgraph.jpg&quot; border=&quot;0&quot; height=&quot;266&quot; width=&quot;240&quot; alt=&quot;boredgraph.jpg&quot; title=&quot;Bored Again?&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt;Graph created by &lt;a href=&quot;http://ilps.science.uva.nl/MoodViews/&quot;&gt;MoodViews&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;</description>
  <category>web psychology</category>
  <lj:music>Vera Lynn, “We’ll meet again”</lj:music>
  <media:title type="plain">Vera Lynn, “We’ll meet again”</media:title>
  <lj:mood>thoughtful</lj:mood>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/29742.html</guid>
  <pubDate>Sun, 20 Aug 2006 19:09:40 GMT</pubDate>
  <title>Old vibrations</title>
  <link>http://goclenius.livejournal.com/29742.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;A hundred years ago, X-rays were supposed to be good for all sorts of things. Now we know better. In &lt;i&gt;The X-ray Century&lt;/i&gt;, Perry Sprawls and Jack E. Petersen reproduce a series of reports on the discoveries of Roentgen and others in 1896 (start with the &lt;a href=&quot;http://www.emory.edu/X-RAYS/century_11.htm&quot;&gt;last page&lt;/a&gt; and work backwards). They include a summary of Edward Trevert&amp;#x2019;s &lt;i&gt;&lt;a href=&quot;http://www.emory.edu/X-RAYS/century.htm&quot;&gt;Something about X-rays for Everybody&lt;/a&gt;&lt;/i&gt;, published in 1896.
&lt;/div&gt;

&lt;div style=&quot;text-align: center;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: 1em;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/0607/xraysforeverybody.jpg&quot; border=&quot;0&quot; height=&quot;238&quot; width=&quot;240&quot; alt=&quot;xraysforeverybody.jpg&quot; title=&quot;Trevert, X-Rays for Everybody&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt;Source: &lt;a href=&quot;http://www.emory.edu/X-RAYS/century.htm&quot;&gt;Sprawls &amp; Petersen&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Trevert&amp;#x2019;s full name was Edward Trevert Bubier. He wrote popular books on electricity and radio, including the &lt;i&gt;Electro-therapeutic handbook, with full directions for home treatment of nearly all diseases that can be cured or relieved by the application of electricity&lt;/i&gt; (New York: Manhattan Electrical Supply Co., 1900) and &lt;i&gt;The ABC of wireless telegraphy, a plain treatise on Hertzian wave signalling&lt;/i&gt; (Lynn, Mass.: Bubier Publishing, 1906).
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
&lt;i&gt;Something about X-rays&lt;/i&gt; has been reprinted in facsimile (Medical Physics Publishing, 1988).&lt;/div&gt;</description>
  <category>science</category>
  <category>x-rays</category>
  <lj:music>Cathrin Pfeifer — &lt;i&gt;Lonely tramp&lt;/i&gt;</lj:music>
  <media:title type="plain">Cathrin Pfeifer — &lt;i&gt;Lonely tramp&lt;/i&gt;</media:title>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
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<item>
  <guid isPermaLink='true'>http://goclenius.livejournal.com/29654.html</guid>
  <pubDate>Fri, 07 Jul 2006 00:23:42 GMT</pubDate>
  <title>More Toys</title>
  <link>http://goclenius.livejournal.com/29654.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;&lt;div style=&quot;float: right;margin-left: .25em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/ws/images/icecubediagram.png&quot; border=&quot;0&quot; height=&quot;225&quot; width=&quot;192&quot; alt=&quot;icecubediagram.png&quot; title=&quot;IceCube&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;&lt;a href=&quot;http://icecube.wisc.edu/brochure/icecube_brochure-print.pdf&quot;&gt;Source: IceCube&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;More toys for scientists. The &lt;a href=&quot;http://icecube.wisc.edu/gallery/detector_concepts/ceren_hires&quot;&gt;IceCube&lt;/a&gt; neutrino detector is essentially a cubic kilometer of Antarctic ice, 1400 meters below the South Pole Station, in which an array of optical sensors is placed to detect the Cerenkov light produced by the muons that result from collisions of neutrinos with water molecules. The shielding for the detector is the Earth itself, all 8000 miles of it: IceCube is designed to detect neutrinos striking the Earth at its &lt;i&gt;north&lt;/i&gt; pole. &lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
Among other things, the detector will aid in the search for magnetic monopoles and weakly interacting massive particles (WIMPs), which are one candidate for the &amp;#x201c;dark matter&amp;#x201d; which accounts for over three-quarters of the mass of the universe. See IceCube Collaboration: J. Ahrens et al, &amp;#x201c;&lt;a href=&quot;http://www.copernicus.org/icrc/papers/ici6999_p.pdf&quot;&gt;Science Potential of the IceCube Detector&lt;/a&gt;&amp;#x201d; in &lt;i&gt;Proceedings of the 27th International Cosmic Ray Conference&lt;/i&gt;, Hamburg, Germany, 7–15 August 2001, 1242–1245; John Baez, &lt;i&gt;&lt;a href=&quot;http://math.ucr.edu/home/baez/week232.html&quot;&gt;This Week’s Finds&lt;/a&gt;&lt;/i&gt;, no. 232 (18 May 2006).
&lt;/div&gt;

</description>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/27147.html</guid>
  <pubDate>Sat, 01 Apr 2006 01:00:50 GMT</pubDate>
  <title>Alien army captured by physicist</title>
  <link>http://goclenius.livejournal.com/27147.html</link>
  <description>&lt;div style=&quot;float: right; margin-left: .5em; margin-right: .5em; padding-top: 1ex; padding-bottom: .5ex; padding-left: .5em; border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200601/opticslab.jpg&quot; height=&quot;179&quot; width=&quot;128&quot; alt=&quot;opticslab.jpg&quot; title=&quot;optics experiments&quot; /&gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Scientists get the best toys. &lt;a href=&quot;http://gordonwatts.wordpress.com/2006/03/30/my-next-home-theater-system/&quot;&gt;Gordon Watts&lt;/a&gt; posts a photo of an optics experiment at &lt;i&gt;Life as a physicist&lt;/i&gt;. &lt;a href=&quot;http://www.physics.berkeley.edu/research/ultracold/E2_index.html&quot;&gt;Another picture&lt;/a&gt; from the lab itself.
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Also, via &lt;i&gt;&lt;a href=&quot;http://cosmicvariance.com/2006/03/31/particle-physics-marches-on/&quot;&gt;Cosmic Variance&lt;/a&gt;&lt;/i&gt;, an experiment on polarized light that may be evidence for the existence of &lt;a href=&quot;http://en.wikipedia.org/wiki/Axion&quot;&gt;axions&lt;/a&gt;. See also &lt;a href=&quot;http://nanoscale.blogspot.com/2006/03/wow-really-surprising-result.html&quot;&gt;Nanoscale Views&lt;/a&gt; (Doug Natelson) and &lt;i&gt;&lt;a href=&quot;http://scienceblogs.com/principles/2006/03/quick_physics_notes.php&quot;&gt;Uncertain Principles&lt;/a&gt;&lt;/i&gt; (Chad Orzel). The paper is Zavattini et al. &lt;a href=&quot;http://arxiv.org/abs/hep-ex/0507107&quot;&gt;Experimental observation of optical rotation generated in vacuum&lt;/a&gt;.
&lt;/div&gt;</description>
  <category>optics laboratory</category>
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  <pubDate>Wed, 04 Jan 2006 17:04:09 GMT</pubDate>
  <title>Ouvrir une fenêtre</title>
  <link>http://goclenius.livejournal.com/26057.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;&amp;#x2018;Braille&amp;#x2019; is one of those eponyms that has become so familiar it no longer registers as a proper name. &lt;i&gt;L&amp;#x2019;écriture Braille&lt;/i&gt; was the invention of Louis Braille (1809–1852), the son of a blacksmith.
He lost his vision at the age of three after an injury to his left eye led to infection which, &lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5em;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200601/googlebraille.png&quot; border=&quot;0&quot; height=&quot;48&quot; width=&quot;144&quot; alt=&quot;googlebraille.png&quot; title=&quot;Google en écriture braille&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;Source: &lt;a href=&quot;http://www.google.com/webhp?hl=fr&quot;&gt;Google.fr&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt; spreading to his right, deprived him of both. &lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The Braille script was an adaptation of a system invented by Charles Barbier to allow soldiers to communicate silently at night. Louis Braille, then thirteen years old and studying at the Institut Royale des Jeunes Aveugles, reduced the number of dots from 12 to 6 and later added codes for mathematical and musical notation.&lt;/div&gt;


&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;On Braille&amp;#x2019;s birthday (4 January), Google honored him by transcribing its logo into Braille.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Ceux qui augmente le bonheur de la vie humaine méritent une niche dans le Panthéon de l&amp;#x2019;histoire. Ceux qui le diminue méritent seulement l&amp;#x2019;oubli. Pas même l&amp;#x2019;opprobrium, qui est quand même survie, mais simplement l&amp;#x2019;oubli, permanent et total.&lt;/div&gt;



&lt;div style=&quot;border-top: solid 1px #aaaaaa; margin-top:1em;&quot;&gt;&lt;/div&gt;
&lt;div style=&quot;margin-top: 0em; margin-bottom: .5em; margin-left: 1em; padding-top: 4pt; line-height: 1em; text-indent: -1em;&quot;&gt;&lt;span style=&quot;color:#000066;&quot;&gt;References&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-left: 1em; padding-bottom: 4pt; line-height:1.33em; text-indent: -1em; font-size: .92em;&quot;&gt;
&lt;div&gt;Google link via &lt;i&gt;&lt;a href=&quot;http://travaillerensemble.blog.lemonde.fr/travaillerensemble/&quot;&gt;Clavardage&lt;/a&gt;&lt;/i&gt;.
&lt;/div&gt;
&lt;div&gt;&amp;#x201c;&lt;a href=&quot;http://fr.wikipedia.org/wiki/Louis_Braille&quot;&gt;Louis Braille&lt;/a&gt;&amp;#x201d;. &lt;i&gt;wikipedia.fr&lt;/i&gt;. Last edited 4 January 2006.
&lt;/div&gt;
&lt;div&gt;&amp;#x201c;&lt;a href=&quot;http://en.wikipedia.org/wiki/Louis_Braille&quot;&gt;Louis Braille&lt;/a&gt;&amp;#x201d;. &lt;i&gt;wikipedia.org&lt;/i&gt;. Last edited 4 January 2006.
&lt;/div&gt;
&lt;div&gt;&amp;#x201c;&lt;a href=&quot;http://ophtasurf.free.fr/lebraille.htm&quot;&gt;Le système Braille&lt;/a&gt;&amp;#x201d;. &lt;i&gt;ophtasurf.free.fr&lt;/i&gt;. S.d. (2000–2005 for the site).
&lt;/div&gt;
&lt;div&gt;Zina W&lt;span class=&quot;smc&quot;&gt;eygand&lt;/span&gt;. &lt;i&gt;&lt;a href=&quot;http://rhei.revues.org/document117.html&quot;&gt;Vivre sans voir.&lt;/a&gt; Les aveugles dans la société française du Moyen Age au siècle de Louis Braille&lt;/i&gt;. Préface d&amp;#x2019;Alain Corbin. Paris: Créaphis, 2003.
&lt;/div&gt;  
&lt;/div&gt;</description>
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  <pubDate>Mon, 19 Dec 2005 16:15:13 GMT</pubDate>
  <title>Crashing infinitely</title>
  <link>http://goclenius.livejournal.com/25734.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The following remark about a hard-drive failure struck me as worth preserving for application elsewhere.&lt;/div&gt;

&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;…for some reason the slaves replicated bad data from the master and then ended up crashing infinitely.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Source: &lt;a href=&quot;http://blog.del.icio.us/blog/2005/12/continued_hiccu.html&quot;&gt;del.icio.us weblog&lt;/a&gt;.
&lt;/div&gt;</description>
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  <category>politics</category>
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  <pubDate>Fri, 25 Nov 2005 14:48:31 GMT</pubDate>
  <title>I only have eyes for you, Microsoft</title>
  <link>http://goclenius.livejournal.com/25523.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;A discussion of DRM (digital rights management) and what it might lead to: songs or movies that won&amp;#x2019;t even play on the device they were intended for. Imagine the possibilities if biotechnology reaches the point of implanting devices in your brain. &amp;#x201c;For your eyes only&amp;#x201d; will have a whole new meaning. 
&lt;/div&gt;

&lt;div style=&quot;line-height: 1.33em; text-indent: 1em; font-size:.92em;&quot;&gt;
&lt;div style=&quot;margin-bottom:4pt;&quot;&gt;See David B&lt;span class=&quot;smc&quot;&gt;erlind&lt;/span&gt;, &amp;#x201c;&lt;a href=&quot;http://blogs.zdnet.com/BTL/?p=2083&amp;amp;tag=nl.e589&quot;&gt;DRM technology has its first two major trainwrecks&lt;/a&gt;&amp;#x201d;, &lt;i&gt;ZDNet&lt;/i&gt; 28 Oct 2005. This is one of a series of posts on DRM. Via &lt;a href=&quot;http://gort.ucsd.edu/mtdocs/archives/laz/002907.html&quot;&gt;Library Autonomous Zone&lt;/a&gt;. On Sony&amp;#x2019;s latest misadventure, see &amp;#x201c;&lt;a href=&quot;http://tlonuqbar.typepad.com/phfn/2005/11/virus_installed.html&quot;&gt;Virus installed by music CD&lt;/a&gt;&amp;#x201d; at &lt;i&gt;Philosophical Fortnights&lt;/i&gt;.&lt;/div&gt;
&lt;/div&gt;</description>
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  <pubDate>Mon, 21 Nov 2005 22:56:38 GMT</pubDate>
  <title>Duck!</title>
  <link>http://goclenius.livejournal.com/24969.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Warren &lt;a href=&quot;http://insti.physics.sunysb.edu/~siegel/plan.html&quot;&gt;Siegel&lt;/a&gt;, a physicist at SUNY Stony Brook, has written &amp;#x201c;&lt;a href=&quot;http://insti.physics.sunysb.edu/~siegel/quack.html&quot;&gt;Are you a quack?&lt;/a&gt;&amp;#x201d; (he must have met a few). Philosophers can&amp;#x2019;t be quite so abrupt. We&amp;#x2019;re not usually in a position to say that our theories have been well-confirmed by experiment, for example. (Intuitions are not experiments.)
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;I once had a man come to my office at Hopkins. We chatted for a while. As he left, he gave me a little blue book entitled &lt;i&gt;I am a Visitor from the Universe with a Message for Your Planet&lt;/i&gt;. Who am I to say what he was? I haven&amp;#x2019;t even read the book yet. 
&lt;/div&gt;</description>
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  <pubDate>Wed, 16 Nov 2005 01:16:34 GMT</pubDate>
  <title>Leuckart&amp;#x2019;s charts</title>
  <link>http://goclenius.livejournal.com/24826.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;
The &lt;a href=&quot;http://www.mblwhoilibrary.org/&quot;&gt;Marine Library&lt;/a&gt; at Woods Hole has put online an exhibition of the &lt;i&gt;&lt;a href=&quot;http://www.mblwhoilibrary.org/exhibits/leuckart/index.html&quot;&gt;Wandtafeln&lt;/a&gt;&lt;/i&gt; (wall charts) of Karl Georg Friedrich Rudolf Leuckart (1822-1898), the &amp;#x201c;father of parasitology&amp;#x201d;.&lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/wsimages/leuckertcrionoids.jpg&quot; border=&quot;0&quot; height=&quot;238&quot; width=&quot;167&quot; alt=&quot;leuckertcrionoids.jpg&quot; title=&quot;Crinoids&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;&lt;a href=&quot;http://www.mblwhoilibrary.org/exhibits/leuckart/wall_charts.html&quot;&gt;Marine Library&lt;/a&gt;, Woods Hole&lt;br /&gt;Oceanographic Institute&lt;/div&gt;
&lt;/div&gt;
 These were published between 1877 and 1892 as aids to the teaching of natural history. There are in all 113, devoted mostly to invertebrates, each an exemplar of the art of scientific illustration (the thumbnail here is of the 55th image in the series). Among other achievements was his work on trichinosis, which &amp;#x201c;led Rudolf Virchow to establish the first meat inspection laws in Germany&amp;#x201d;. In those days, you see, the government listened to scientists. 
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The exhibition includes, in addition to images of the posters, a biography, a list of references, and a virtual tour. (Link via &lt;a href=&quot;http://bibliodyssey.blogspot.com/2005/11/19th-century-science-wall-charts.html&quot;&gt;Bibliodyssey&lt;/a&gt;, which has quite a few entries on scientific illustration.)
&lt;/div&gt;</description>
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  <pubDate>Tue, 08 Nov 2005 00:48:28 GMT</pubDate>
  <title>Blogging Rights</title>
  <link>http://goclenius.livejournal.com/24095.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The &lt;a href=&quot;http://www.eff.org/bloggers/lg/&quot;&gt;EFF&lt;/a&gt; has put together a guide to legal issues relevant to weblogs: liability, the privileges of journalists, adult material. See &amp;#x201c;&lt;a href=&quot;http://tlonuqbar.typepad.com/phfn/2005/09/guide_for_weblo.html&quot;&gt;Guide for Webloggers&lt;/a&gt;&amp;#x201d;
for similar material from Reporters without Borders.&lt;/div&gt;
&lt;div style=&quot;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;text-align: center;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200511/liberty_waits.png&quot; border=&quot;0&quot; height=&quot;144&quot; width=&quot;108&quot; alt=&quot;liberty_waits.png&quot; title=&quot;Liberty Blogs&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt;&lt;a href=&quot;http://www.eff.org/bloggers/&quot;&gt;EFF&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;</description>
  <category>rights journalism blogs</category>
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  <pubDate>Sun, 30 Oct 2005 02:11:58 GMT</pubDate>
  <title>Figurative</title>
  <link>http://goclenius.livejournal.com/23857.html</link>
  <description>&lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/200511/boolelondonillusnews.jpg&quot; border=&quot;0&quot; height=&quot;149&quot; width=&quot;128&quot; alt=&quot;boolelondonillusnews.jpg&quot; align=&quot;&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;Source: &lt;a href=&quot;http://www.ilnpictures.co.uk/ProductDetails.asp?ProductDetailID=75271&quot;&gt;&lt;i&gt;Illus. London News&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Once upon a time, newspapers were illustrated. Artists drew or painted or engraved pictures which were then printed on paper, often in color. Hard to believe, eh? Now you can see a wide variety of illustrations from the &lt;i&gt;&lt;a href=&quot;http://www.ilnpictures.co.uk/&quot;&gt;Illustrated London News&lt;/a&gt;&lt;/i&gt;, the &amp;#x201c;world&amp;#x2019;s first ever illustrated weekly newspaper&amp;#x201d; (1842). Via &lt;a href=&quot;http://ramage.typepad.com/ramage/2005/10/super_surfer.html&quot;&gt;Ramage&lt;/a&gt;.
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  <pubDate>Sun, 30 Oct 2005 01:29:26 GMT</pubDate>
  <title>Trésor Direct</title>
  <link>http://goclenius.livejournal.com/23702.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;The &lt;i&gt;&lt;a href=&quot;http://atilf.atilf.fr/tlf.htm&quot;&gt;Trésor de la Langue Française&lt;/a&gt;&lt;/i&gt;, a digitized corpus of French literature, now allows direct links to words. For example:
&lt;/div&gt;
&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;&lt;a href=&quot;http://atilf.atilf.fr/dendien/scripts/fast.exe?degringoler&quot;&gt;http://atilf.atilf.fr/dendien/scripts/fast.exe?degringoler&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-indent: 0em; margin-bottom:4pt;&quot;&gt;gets you citations for &amp;#x2018;dégringoler&amp;#x2019; (note that accents should be omitted).
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Jean Véronis at &lt;i&gt;&lt;a href=&quot;http://aixtal.blogspot.com/&quot;&gt;Technologies du language&lt;/a&gt;&lt;/i&gt; has made a &lt;a href=&quot;http://aixtal.blogspot.com/2005/10/outil-un-trsor-de-liens.html&quot;&gt;search form&lt;/a&gt;.
&lt;/div&gt;
&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;&lt;form action=&quot;http://atilf.atilf.fr/dendien/scripts/fast.exe&quot; method=&quot;get&quot;&gt;
&lt;input name=&quot;mot&quot;&gt;&amp;#x2009;&lt;input value=&quot;TLFi&quot; type=&quot;submit&quot;&gt;&lt;/form&gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Here&amp;#x2019;s the code:
&lt;/div&gt;
&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-family: Courier New, Courier, Monaco, monospace; font-size: .87em;&quot;&gt;&amp;lt;form action=&quot;http://atilf.atilf.fr/dendien/scripts/fast.exe&quot; method=&quot;get&quot;&amp;gt;
&amp;lt;input name=&quot;mot&quot;&amp;gt;&amp;lt;input value=&quot;TLFi&quot; type=&quot;submit&quot;&amp;gt;&amp;lt;/form&amp;gt;
&lt;/div&gt;
&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;He has also made a plugin for Firefox.
&lt;/div&gt;</description>
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  <pubDate>Sat, 01 Oct 2005 13:58:52 GMT</pubDate>
  <title>Steam Generator Legros</title>
  <link>http://goclenius.livejournal.com/23446.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;From the French booksellers&amp;#x2019; site &lt;div style=&quot;float: right;margin-left: .5em;margin-right: 0em;padding-top: 1ex;padding-bottom: .5ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/wsimages/vapotronlinedrawing.png&quot; border=&quot;0&quot; height=&quot;216&quot; width=&quot;82&quot; alt=&quot;vapotronlinedrawing.png&quot; title=&quot;Vapotron&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;&lt;a href=&quot;http://www.christwater.com/NR/rdonlyres/46551E98-3CEC-4460-A2F1-5426F435CB6B/0/vapotron.jpg&quot;&gt;Credit&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;

&lt;a href=&quot;http://www.galaxidion.com/home/index.php&quot;&gt;Galaxidion&lt;/a&gt;:
&lt;/div&gt;&lt;div style=&quot;margin-left:1em; margin-right: 1em; margin-top: .5em; margin-bottom: .625em; padding-top: .25em; padding-bottom: .25em; padding-left: 1em; padding-right: 1em;  background-color:#ffffff; font-size: .92em;&quot;&gt;&lt;div&gt;FABRE Jean-Henri. - &lt;i&gt;Souvenirs entomologiques&lt;/i&gt;. &lt;/div&gt;

&lt;div&gt;Le volume 11 contient la vie de J.-H. FABRE, suivie du répertoire général analytique des souvenirs entomologiques, par le G.-V. LEGROS, préface de J.-H. FABRE.&lt;/div&gt;

&lt;div&gt;Volume 11 contains the life of J.-H. FABRE, followed analytical general repertory of the entomological memories, by the Steam Generator LEGROS, foreword of J.-H. FABRE.&lt;/div&gt;&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Where did that steam generator come from? It turns out that G.-V. is an abbreviation for &amp;#x2018;&lt;a href=&quot;http://dictionnaire.tv5.org/dictionnaires.asp?Action=1&amp;amp;param=generateur&amp;amp;che=1&quot;&gt;générateur-vapeur&lt;/a&gt;&amp;#x2019; or &amp;#x2018;générateur à vaporisation&amp;#x2019;—either a steam-generator or a humidifier.&lt;/div&gt;

&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;On Fabre and his lo-tech science, see Dominique Autié, &amp;#x201c;&lt;a href=&quot;http://blog-dominique.autie.intexte.net/blogs/index.php/all/2005/09/09/les_livres_scolaires_de_jean_henri_fabre&quot;&gt;Les livres scolaires de Jean Henri Fabre&lt;/a&gt;&amp;#x201d; at &lt;i&gt;&lt;a href=&quot;http://blog-dominique.autie.intexte.net/&quot;&gt;Balles de match&lt;/a&gt;&lt;/i&gt;.
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  <category>french translation fabre</category>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/23282.html</guid>
  <pubDate>Sun, 18 Sep 2005 03:52:15 GMT</pubDate>
  <title>Harlem in the 30s</title>
  <link>http://goclenius.livejournal.com/23282.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Photographs by &lt;a href=&quot;http://www.geh.org/ne/mismi3/siskind-neg_sum00001.html&quot;&gt;Aaron Siskind&lt;/a&gt; from the archives at the George Eastman House. The passage of time has given the furnishings of the rooms he photographed a perhaps spurious air of distinction; still the &amp;#x201c;most crowded block in the world&amp;#x201d; was surprisingly genteel. Via &lt;a href=&quot;http://www.ncf.ca/~ek867/2005_09_16-30_archives.html#09.17.2005&quot;&gt;Wood s Lot&lt;/a&gt;.&lt;/div&gt;
&lt;div style=&quot;float: none;margin-left: .5em;margin-right: .5em;padding-top: 0ex;padding-bottom: .5ex;border: none;text-align: center;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/ws/images/harlemdetail.png&quot; border=&quot;0&quot; height=&quot;125&quot; width=&quot;128&quot; alt=&quot;harlemdetail.png&quot; title=&quot;Geo. Eastman House 68:0333:0089&quot; /&gt;
&lt;div class=&quot;caption&quot; style=&quot;text-align: center&quot;&gt;&lt;a href=&quot;http://www.geh.org/ne/mismi3/m196803330089_ful.html&quot;&gt;Aaron Siskind, ca. 1940–1941&lt;/a&gt;&lt;/div&gt;
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/22854.html</guid>
  <pubDate>Mon, 12 Sep 2005 03:41:51 GMT</pubDate>
  <title>Cathédrale de Bayeux</title>
  <link>http://goclenius.livejournal.com/22854.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Une belle &lt;a href=&quot;http://ossiane.blog.lemonde.fr/ossiane/2005/09/cathedrale.html&quot;&gt;photo panoramique&lt;/a&gt; de la Cathédrale de Bayeux. Par Ossiane à &lt;i&gt;&lt;a href=&quot;http://ossiane.blog.lemonde.fr/ossiane/&quot;&gt;L’Œil ouverte&lt;/a&gt;&lt;/i&gt;. Il faut avoir installé Quicktime pour la voir.&lt;br /&gt;&lt;/div&gt;</description>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/22672.html</guid>
  <pubDate>Tue, 09 Aug 2005 03:53:52 GMT</pubDate>
  <title>Giorg Omotescu</title>
  <link>http://goclenius.livejournal.com/22672.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;Generate anagrams and pseudonyms. From your name, from famous phrases. Dena T&lt;span class=&quot;smc&quot;&gt;resserec&lt;/span&gt; recommends it. From Jaron V&lt;span class=&quot;smc&quot;&gt;insee&lt;/span&gt; at &lt;a href=&quot;http://aixtal.blogspot.com/2005/08/rcr-gnrez-vos-noms-de-plume.html&quot;&gt;Technologies du langage.&lt;/a&gt; Don&amp;#x2019;t worry, it works in English too! Just tell ’em &lt;a href=&quot;http://aixtal.blogspot.com/2005/08/rcr-alcofribas-et-al.html&quot;&gt;Alcofribas Nasier&lt;/a&gt; sent you.
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  <category>anagrams language</category>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/22347.html</guid>
  <pubDate>Thu, 14 Jul 2005 14:00:56 GMT</pubDate>
  <title>Life under the microscope</title>
  <link>http://goclenius.livejournal.com/22347.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;&lt;br /&gt;&lt;a href=&quot;http://www.pirx.com/droplet/about.html&quot;&gt;Droplet&lt;/a&gt;, a website devoted to microscopic images of protozoa. &lt;div style=&quot;float: right;margin-left: .5em;margin-right: .5em;padding-top: .5ex;padding-bottom: 0ex;padding-left: .5em;border: none;&quot;&gt;&lt;img src=&quot;http://tlonuqbar.typepad.com/phfn/images/wsimages/vorticella.png&quot; border=&quot;0&quot; height=&quot;128&quot; width=&quot;128&quot; alt=&quot;vorticella.png&quot; title=&quot;Vorticella&quot; /&gt;&lt;br /&gt;&lt;div class=&quot;caption&quot; style=&quot;text-align: right&quot;&gt;&lt;a href=&quot;http://www.pirx.com/droplet/&quot;&gt;Piotr Rotkiewicz&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;Striking photographs of a variety of tiny creatures, arranged by taxa. At the right is &lt;i&gt;Vorticella&lt;/i&gt;, a &amp;#x201c;sessile, peritrich ciliate&amp;#x201d;, at 25x. Includes links to the &lt;a href=&quot;http://www.itis.usda.gov/index.html&quot;&gt;Integrated Taxonomic Information System&lt;/a&gt;, a database of information on biological taxa with a nice search engine of other biological databases. Via &lt;a href=&quot;http://ramage.typepad.com/&quot;&gt;Ramage&lt;/a&gt;&amp;#x2019;s &lt;a href=&quot;http://ramage.typepad.com/marginalia/&quot;&gt;Marginalia&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</description>
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  <guid isPermaLink='true'>http://goclenius.livejournal.com/22218.html</guid>
  <pubDate>Thu, 14 Jul 2005 05:28:32 GMT</pubDate>
  <title>Snaps of Blue Velvet</title>
  <link>http://goclenius.livejournal.com/22218.html</link>
  <description>&lt;div style=&quot;text-indent: 1em; margin-bottom:4pt;&quot;&gt;&lt;i&gt;&lt;a href=&quot;http://www.squareamerica.com/index.htm&quot;&gt;Square America&lt;/a&gt;&lt;/i&gt; has snapshots from the 50s through the 70s. Some are ordinary. A few have a touch of the uncanny. Strange to think that the decor of the earlier shots is what I saw all the time when I was growing up. Now I know what it&amp;#x2019;s like to be campy, quaint, and picturesque. See also the &lt;i&gt;&lt;a href=&quot;http://www.tbl.squareamerica.com/&quot;&gt;Boat Lullabies&lt;/a&gt;&lt;/i&gt;. Via &lt;a href=&quot;http://ramage.typepad.com/ramage/&quot;&gt;Ramage&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</description>
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